Atlantic released this album over a year after it was recorded, thereby capitalizing on Monk's increased visibility. Monk's quartet featuring John Coltrane at that residency would bring Monk fame beyond the inner circle of jazz aficionados. One month after these recordings, Monk would begin his summer and autumn residency at the Five Spot on Cooper Square after regaining his cabaret card, without which he had been barred from playing in most of New York City's clubs. Blakey was on the verge of beginning a long-term contract with Blue Note, while Monk was in the middle of his stay on Riverside. Monk returned the favor on this one-off session for Atlantic. Throughout the preceding decade, on sessions for both Blue Note and Riverside, Blakey had supported Monk on various occasions. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano.
Thelonious Monk Facts Professional ratings Review scoresĪrt Blakey's Jazz Messengers with Thelonious Monk is a studio album released in 1958 by Atlantic Records. Hi-Res FLAC Art Blakey's Jazz Messengers with Thelonious MonkĪrt Blakey and The Jazz Messengers with Thelonious MonkĪrt Blakey and the Jazz Messengers chronologyĪrt Blakey's Jazz Messengers with Thelonious Monk This will always be an essential item standing proudly among unearthed live sessions from Monk and Coltrane, demarcating a pivotal point during the most significant year in all types of music, from a technical and creative standpoint, but especially the jazz of the immediate future. Monk’s solo piano effort, “Functional,” is flavored with blues, stride, and boogie-woogie, while a bonus track, “Monk’s Mood,” has a Monk-Ware-Coltrane tandem (minus drummer Shadow Wilson) back for an eight-minute excursion primarily with Monk in a long intro, ‘Trane in late, and Ware’s bass accents booming through the studio. Of the four quartet sessions, the fleet “Trinkle Tinkle” tests Coltrane’s mettle, as he’s perfectly matched alongside Monk, but conversely unforced during “Nutty” before taking off. A shouted-out, pronounced “Off Minor” and robust, three-minute “Epistrophy” with legendary saxophonists Coleman Hawkins, Gigi Gryce, and the brilliant, underappreciated trumpeter Ray Copeland are hallmark tracks that every jazz fan should revere. These 1957 dates also sport a variety in drummerless trio, quartet, septet, or solo piano settings, all emphasizing the compelling and quirky compositions of Monk. While the mastery of the principals is beyond reproach, credit should also be given to peerless bassist Wilbur Ware, as mighty an anchor as anyone could want. Universally regarded as one of the greatest collaborations between the two most influential musicians in modern jazz (Miles Davis notwithstanding), the Jazzland sessions from Thelonious Monk and John Coltrane should be recognized on other levels. Subtitled The Blue Note Years, this was released by Blue Note Records and represents some of Monk's period in the late 1940's/early 1950's. The Best Of Thelonious Monk is a 1991 compilation album by American jazz pianist Thelonious Monk. Recording info: Recorded at WOR Studios, New York, New York on Jand May 30, 1952. Thelonious Monk (piano) Sahib Shihab, Lou Donaldson (alto saxophone) Lucky Thompson (tenor saxophone) Kenny Dorham (trumpet) Milt Jackson (vibraphone) Nelson Boyd, Al McKibbon (bass) Art Blakey, Max Roach (drums). Or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Scans included 747 MB
PS3 Rip SACD ISO DSD64 2.0 > 1-bit/2.8224 MHz 37:36 minutes Scans included 1,52 GB Thelonious Monk with John Coltrane – Thelonious Monk with John Coltrane (1961)